Dissemination

The Wire review of AI x Music festival

Sumit Paul-Choudhury has contributed a review of Ars Electronica’s AI x Music festival to the The Wire magazine’s November edition, featuring our installation Mutual Understanding. It is listed as an exception to the line of presented works quite unrelated to the festival’s theme.

“Fragments” performance evening

Some impressions of the “Fragments” performance evening that took place on October 2, 2019 at the Auditorium for Rotting Sounds, featuring Tobias Leibetseder, Angélica Castelló, Elisabeth Flunger and Thomas Grill.

European Researchers’ Night, September 27

We took part in this year’s European Researchers’ Night, showcasing a broad range of research projects at the University of Applied Arts Vienna.

From our ongoing research, we presented a couple of exemplary positions, such as Tobias Leibetseder’s “Fragments“, Almut Schilling’s and Till Bovermann’s “CD-R(ot)“, a part of Almut’s “The Carrier” installation, Till’s take on “Data Forensics”, as well as Thomas Grill’s “Mutual understanding” and “Reference Tone“.

Mutual understanding @ Ars electronica AI x Music festival, September 7

Our installation “Mutual understanding was selected for the AI x Music festival, part of this year’s Ars electronica festival, taking place at the monastery of St. Florian.

We had a great outside location in the Garden of the Sommerrefektorium, even if the weather was partly rainy. The installation could withstand the humid weather.

Short interview on Rotting sounds

The Zentrum Fokus Forschung at the University of Applied Arts Vienna has produced a short interview with me explaining in very short the project of Rotting sounds. This was done in the context of the exhibition UNDERSTANDING – art & research at the Museum of Applied Arts in Vienna.

Exhibition opening: Understanding – Art and Research, MAK, June 27

The Rotting Sounds project has been invited to participate in the exhibition Understanding – Art and Research with a select object of our arts and research practice. We have produced the new object prototype “Reference Tone“, a variation on the existing object “Midnight Song“, exhibited at the Auditorium of Rotting Sounds.

Reference Tone at UNDERSTANDING Art & Research

Reference Tone is a printed representation of a pure sine tone of 1 kHz frequency at -3 dBFS volume. The encoding in 1 bit (DSD) audio is an ultra-high quality embodiment of the sound with the potential of being re-transferable into sound by optical means. Placed at a transitory spot in the exhibition, the object (and with it the embedded sound) will only stay pure and perfect for a certain time. Already at the opening, stains and scratches on the surface were noticeable, by visitors accidentally or purposefully walking over the object. Over the duration of the exhibition of one month, the audio content will transform from a “reference tone” into a sound being influenced by the context of its placement.

After the opening on June 27 at 7pm, the exhibition will run until July 28.

Museum of Applied Arts (MAK)
Stubenring 5, 1010 Wien, Austria

The University of Applied Arts Vienna presents exemplary approaches to its artistic research under the title UNDERSTANDING – ART & RESEARCH, it is about understanding as the very creative impulse. Through examples from research and teaching, science and art the transformation of society can be viewed, examined, sensed, discussed and experienced.
The exhibition UNDERSTANDING – ART & RESEARCH, developed by Gerald Bast, Alexander Damianisch and Barbara Putz-Plecko, now at MAK Vienna had first stations in New Zealand (Dunedin School of Art), Singapore (Nanyang Technological University Singapore), and Los Angeles (UCLA Art|Sci Center).

Rotting sounds masterclass at Herzen University, St.Petersburg, May 23

The “rotting sounds” researchers Thomas Grill, Till Bovermann and Almut Schilling were invited to conduct a masterclass at the Institute of Music, Theater and Choreography of the Russian State Pedagogical University A.I. Herzen, above all with the students of Andrey Bundin.

After an introductory presentation on the concepts of the research projects, we worked with/on “digital artefacts” that each of the participants brought to the workshop. The focus was on the notion of the “digital trinity”, we have established, consisting of storage material, information content, and interpretation.

Circulation / Corruption

Impressions of the workshop at University of Music and Performing Arts Vienna conducted by Martin Howse

Article in MDW magazine, February 25

The web and print magazine of the University of Music and Performing Arts Vienna (MDW) has published an article on the Rotting sounds project.

Link to article

Notes and sketches by Till Bovermann and Almut Schilling

Article in Austrian daily newspaper Der Standard, February 20

Journalist Doris Griesser has authored a nice feature article on the opening of the upcoming “Auditorium of Rotting sounds” for the Austrian daily newspaper Der Standard.

Spannend, was aus diesen wissenschaftlichen Expeditionen erwachsen kann. Vielleicht auch eine neue Ästhetik des Verfalls und des Unperfekten.