Dissemination

Exhibition opening: Understanding – Art and Research, MAK, June 27

The Rotting Sounds project has been invited to participate in the exhibition Understanding – Art and Research with a select object of our arts and research practice. We have produced the new object prototype “Reference Tone”, a variation on the existing object “Midnight Song”, exhibited at the Auditorium of Rotting Sounds.

After the opening on June 27 at 7pm, the exhibition will until July 28.

Museum of Applied Arts (MAK)
Stubenring 5, 1010 Wien, Austria

The University of Applied Arts Vienna presents exemplary approaches to its artistic research under the title UNDERSTANDING – ART & RESEARCH, it is about understanding as the very creative impulse. Through examples from research and teaching, science and art the transformation of society can be viewed, examined, sensed, discussed and experienced.
The exhibition UNDERSTANDING – ART & RESEARCH, developed by Gerald Bast, Alexander Damianisch and Barbara Putz-Plecko, now at MAK Vienna had first stations in New Zealand (Dunedin School of Art), Singapore (Nanyang Technological University Singapore), and Los Angeles (UCLA Art|Sci Center).

Rotting sounds masterclass at Herzen University, St.Petersburg, May 23

The “rotting sounds” researchers Thomas Grill, Till Bovermann and Almut Schilling were invited to conduct a masterclass at the Institute of Music, Theater and Choreography of the Russian State Pedagogical University A.I. Herzen, above all with the students of Andrey Bundin.

After an introductory presentation on the concepts of the research projects, we worked with/on “digital artefacts” that each of the participants brought to the workshop. The focus was on the notion of the “digital trinity”, we have established, consisting of storage material, information content, and interpretation.

Circulation / Corruption

Impressions of the workshop at University of Music and Performing Arts Vienna conducted by Martin Howse

Article in MDW magazine, February 25

The web and print magazine of the University of Music and Performing Arts Vienna (MDW) has published an article on the Rotting sounds project.

Link to article

Notes and sketches by Till Bovermann and Almut Schilling

Article in Austrian daily newspaper Der Standard, February 20

Journalist Doris Griesser has authored a nice feature article on the opening of the upcoming “Auditorium of Rotting sounds” for the Austrian daily newspaper Der Standard.

Spannend, was aus diesen wissenschaftlichen Expeditionen erwachsen kann. Vielleicht auch eine neue Ästhetik des Verfalls und des Unperfekten.

Buffer Manipulations at Instruments Make Play

I represented RottingSounds at the festival/fair “instruments make play” that took place at WORM in Rotterdam, NL last weekend. I was welcomed with my “Buffer manipulation” setup in a very relaxed and informal atmosphere, in which many curious visitors stopped by to ask questions.

Table of curiosities at All About Audio 2018

Almut and Till spent some time last week to research on our project topic and eventually prepare and give a presentation at All About Audio at the FH St. Pölten. It was an intense time, yielding in very interesting and fruitful discussions and results.

We came up with (at least) two important elements for our research:

  1. the auralist — A fictional character that represents an aural culture (in the digital age) in which sound is considered the preferred medium, implying temporality (and hence decay) to be embraced. This was a rather good addition, we plan to further flesh it out and maybe turn the auralist into a true opponent that not only questions our visual/clean cultural approaches, but also our (project’s) research practice.
  2. the use of a large paper on the table — It served as note-taking and sketching medium as well as an archival container. We used the same paper for the four days and it helped us a lot to follow along all the different (but equally interesting) threads of our discussions. Many of our sketches you can find in the presentation pdf are photos from the paper.

Guests of the conference were quite interested in our approach and asked valuable questions leading into fruitful discussions.

You can find our presentation slides here.

Electroacoustic composition “residuals” at re_composed festival, October 31

At this year’s edition of the re_composed series, part of paraflows XIII, festival for digital art and cultures, i will present a new piece of acousmatic music, titled residuals.

The piece is re-composed solely of compression artifacts, originating from my piece Points of View, as performed at the same re_composed festival five years earlier. The new piece has the same 24 minute duration as the prior performance, and also the same 4-channel layout.

October 31 thru November 3, 2018
weisses haus, Hegelgasse 14, 1010 Wien, Austria

First publication “Embracing the temporal deterioration of digital audio – A manifesto”

We are happy to announce that our paper “Embracing the temporal deterioration of digital audio – A manifesto” has been accepted for publication in the upcoming proceedings of the Politics of the Machines conference on the British Computer Society’s eWic platform.

This paper presents the fundaments and challenges of the Rotting sounds project and expresses the most important theses in the form of a manifesto.

Most of today’s media output, be it audio or video, is produced and stored in the digital domain. Although digital data are adorned by the myth of lossless transmission and migration, everyday experience does prove the existence of degradation and, ultimately, data loss in various forms. This pertains to the physical nature of storage media and playback devices as well as to media formats and software in the context of their technological infrastructure.
We have recently launched the project of artistic research ‘Rotting sounds – Embracing the temporal deterioration of digital audio’, funded by the Austrian Science Fund (FWF). Since degradation cannot be avoided by principle, we therein propose alternative perspectives on the nature and the implications of deterioration in theory and artistic practice, specifically for the domain of digital audio.
This manifesto shall represent an introduction to our endeavour, as much as it shall form a guideline for us carrying out the research.

Talk at ars electronica symposium, September 9

Under the title “Letting loose, embracing the loss”, I will talk about implications of audio deterioration at the Ars Electronica symposium “… under control of music, music under control of …; composing (in) digital worlds”, part of the Sonic Saturday at Anton-Bruckner Private University, Linz.

Most of today’s media output, also music, is produced and stored in the digital domain. Although digital data are adorned by the myth of lossless transmission and migration, everyday experience does prove the existence of degradation and, ultimately, data loss in various forms. This pertains to the physical nature of storage media and playback devices as well as to media formats and software in the context of their technological infrastructure.
Usually, this loss of control over the musical material is counteracted in the personal or societal domain using various kinds of archival strategies.
In the running project of artistic research “rotting sounds”, however, we rely on the hypothesis that by gaining pertinent knowledge and developing adequate means to work with digital degradation in a constructive fashion, its inevitability can be turned from being a source of irritation into a potential for aesthetic choice.

September 8, 2018, 4pm-7pm
Anton Bruckner Private University
Studiobühne
Hagenstraße 57, 4040 Linz, Austria