Some impressions of the “Fragments” performance evening that took place on October 2, 2019 at the Auditorium for Rotting Sounds, featuring Tobias Leibetseder, Angélica Castelló, Elisabeth Flunger and Thomas Grill.
We took part in this year’s European Researchers’ Night, showcasing a broad range of research projects at the University of Applied Arts Vienna.
From our ongoing research, we presented a couple of exemplary positions, such as Tobias Leibetseder’s “Fragments“, Almut Schilling’s and Till Bovermann’s “CD-R(ot)“, a part of Almut’s “The Carrier” installation, Till’s take on “Data Forensics”, as well as Thomas Grill’s “Mutual understanding” and “Reference Tone“.
We had a great outside location in the Garden of the Sommerrefektorium, even if the weather was partly rainy. The installation could withstand the humid weather.
The Zentrum Fokus Forschung at the University of Applied Arts Vienna has produced a short interview with me explaining in very short the project of Rotting sounds. This was done in the context of the exhibition UNDERSTANDING – art & research at the Museum of Applied Arts in Vienna.
The Rotting Sounds project has been invited to participate in the exhibition Understanding – Art and Research with a select object of our arts and research practice. We have produced the new object prototype “Reference Tone“, a variation on the existing object “Midnight Song“, exhibited at the Auditorium of Rotting Sounds.
Reference Tone is a printed representation of a pure sine tone of 1 kHz frequency at -3 dBFS volume. The encoding in 1 bit (DSD) audio is an ultra-high quality embodiment of the sound with the potential of being re-transferable into sound by optical means. Placed at a transitory spot in the exhibition, the object (and with it the embedded sound) will only stay pure and perfect for a certain time. Already at the opening, stains and scratches on the surface were noticeable, by visitors accidentally or purposefully walking over the object. Over the duration of the exhibition of one month, the audio content will transform from a “reference tone” into a sound being influenced by the context of its placement.
After the opening on June 27 at 7pm, the exhibition will run until July 28.
Museum of Applied Arts (MAK)
Stubenring 5, 1010 Wien, Austria
The University of Applied Arts Vienna presents exemplary approaches to its artistic research under the title UNDERSTANDING – ART & RESEARCH, it is about understanding as the very creative impulse. Through examples from research and teaching, science and art the transformation of society can be viewed, examined, sensed, discussed and experienced.
The exhibition UNDERSTANDING – ART & RESEARCH, developed by Gerald Bast, Alexander Damianisch and Barbara Putz-Plecko, now at MAK Vienna had first stations in New Zealand (Dunedin School of Art), Singapore (Nanyang Technological University Singapore), and Los Angeles (UCLA Art|Sci Center).
The “rotting sounds” researchers Thomas Grill, Till Bovermann and Almut Schilling were invited to conduct a masterclass at the Institute of Music, Theater and Choreography of the Russian State Pedagogical University A.I. Herzen, above all with the students of Andrey Bundin.
After an introductory presentation on the concepts of the research projects, we worked with/on “digital artefacts” that each of the participants brought to the workshop. The focus was on the notion of the “digital trinity”, we have established, consisting of storage material, information content, and interpretation.
Impressions of the workshop at University of Music and Performing Arts Vienna conducted by Martin Howse
The web and print magazine of the University of Music and Performing Arts Vienna (MDW) has published an article on the Rotting sounds project.
Journalist Doris Griesser has authored a nice feature article on the opening of the upcoming “Auditorium of Rotting sounds” for the Austrian daily newspaper Der Standard.
Spannend, was aus diesen wissenschaftlichen Expeditionen erwachsen kann. Vielleicht auch eine neue Ästhetik des Verfalls und des Unperfekten.
I represented RottingSounds at the festival/fair “instruments make play” that took place at WORM in Rotterdam, NL last weekend. I was welcomed with my “Buffer manipulation” setup in a very relaxed and informal atmosphere, in which many curious visitors stopped by to ask questions.