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rotting sounds


Embracing the temporal deterioration of digital audio

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  • Auditorium
    • Archive
    • Antenna
    • The Carrier
    • CD-R(ot)
    • dust a bit
    • Enrichment and depletion
    • Fields of Haze
    • Fragments
    • Inscriptions from the archive
    • Intermission
    • Magnetic Room
    • Midnight song
    • Phase Transitions
  • Threads
    • Projects
      • Reference Tone
      • Mutual Understanding
    • 1-bit audio
    • Organic interactions
    • Rotting representational information
    • Dissemination
  • Events
    • Rotting sounds symposium
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  • Menu
  • 3.-9. July 2022: Adam McCartney’s and Thomas Grill’s joint composition “rill” will be presented as a piece+paper at the ICMC 2022 conference in Limerick, Ireland
  • 14. March 2022: Online presentation of the Research catalogue exposition Fragments in time for the VIS #7 issue by Tobias Leibetseder and Thomas Grill.
  • 8. March 2022: Short feature of Rotting sounds in the ORF Ö1 Radiokolleg series
  • 11. January 2022: Lecture performance by Thomas Grill at Sweet Spot series, University Mozarteum and Paris Lodron University, Salzburg, Austria.
  • 12. November 2021: Adam McCartney’s and Thomas Grill’s joint composition “rill”, part of the festival Wien Modern.
  • 11. November 2021: Lecture by Almut Schilling at the Research Day 2021 at the Academy of Fine Arts, Vienna.
  • 2. November 2021: Online talk by Thomas Grill at KTH Royal Institute of Technology, Stockhelm, Sweden.
  • 8. October 2021: Opening of exhibition “oberhalb/unterhalb” at Stadtgalerie Waidhofen, featuring a fragment of fields of haze.
  • 23.+24. September 2021: Rotting Sounds symposium at mdw – University of Music and Performing Arts Vienna.
  • 1. May 2021: Opening of exhibition “Rieseln” in National Park Gesäuse‘s visitor’s center in Gstatterboden.
  • 24. April 2021: Exhibition “Rieseln” at Nationalparkradio, Radio Freequenns, das Freie Radio im Ennstal.
  • 9. April 2021: Presentation of Almut Schilling, Thomas Grill, Till Bovermann: Digital Patina at the SAR2021 artistic research conference.
  • 21. March 2021: Voicings of an auralist at ORF Ö1 Kunstradio
  • 16. March 2021: Book presentation Knowing in Performing with book chapter Voicings of an auralist
  • 18. February 2021: Opening of “Mutual Understanding” at ESC Medienkunstlabor Graz, Austria.
  • 17. January 2021: Thomas Grill featuring the installation mutual understanding at Art’s Birthday at Radio Helsinki.
  • 1.-2. December 2020: International Faust Conference 2020 with Till Bovermann and Dario Sanfilippo at the Maison des Sciences de l’Homme Paris Nord.
  • 26. October 2020: Performance of Low Frequency Orchestra (including Thomas Grill), Jerôme Noetinger and Wolfgang Mitterer @ Reaktor, Wien
  • 9. October 2020: Panel discussion with Thomas Grill @ musikprotokoll, Graz.
  • 8. October 2020: Performance “noise shaping” by Thomas Grill @ musikprotokoll, Graz.
  • 11. September 2020: Performance “merge and dissolve” by Thomas Grill, Till Bovermann and Kathrin Hunze @ SOUND CAMPUS, ars electronica festival, Linz
  • 21.-28. August 2020: Residency of Thomas Grill in National Park Gesäuse preparing next year’s exhibition at the visitor’s center in Gstatterboden.
  • 20. May 2020: Performance evening at the Auditorium of Rotting Sounds: concert lecture by Stefan Fraunberger – postponed due to the COVID-19 crisis.
  • 24. April 2020: Performance evening at the Auditorium of Rotting Sounds: duo Jérôme Noetinger / Thomas Grill – cancelled due to the COVID-19 crisis.
  • 19. March 2020: Lecture by Thomas Grill at SAMA, University of the Arts, Helsinki, Finland. – cancelled due to the Corona virus outbreak.
  • 17.-20. March 2020: Workshop by Thomas Grill at Aalto University, Department of Media, Helsinki, Finland. – cancelled due to the Corona virus outbreak.
  • 6.-7. March 2020: Talk by Almut Schilling at the conference of the Austrian Restoration Association, Salzburg, Austria
  • 26. February 2020: Poster presentation at the Klausur der Wissenschaften / MDW.
  • 13. February 2020: Performance at Do Trans-Art, Salzburg, Austria.
  • 17. January 2020: Rotting sounds @ Art’s Birthday, ORF Radiokulturhaus, Vienna, Austria
  • 16. January 2020: Artistic Research Conference “Navigieren im Postdigitalen”. Soundframe @ AIL, Vienna, Austria
  • 12. December 2019: Visit of the German Council of Science and Humanities (Wissenschaftsrat) at the Auditorium of Rotting Sounds.
  • 4.+5. December 2019: Musical Materialities Panel, Masterclass and Performance at the University of Sussex, Brighton, UK.
  • 16.+17. November 2019: Open Studio Days 2019 of the VIENNA ART WEEK. Auditorium open 15-18h.
  • 2. October 2019: Performance evening “Fragments” at the Auditorium of Rotting Sounds
  • 27. September 2019: Presentation at the European Researcher’s Night, University of Applied Arts Vienna.
  • 7. September 2019: Installation “Mutual understanding” at the AI x Music festival, part of the Ars Electronica festival 2019.
  • 27. June 2019: Opening of the UNDERSTANDING – ART & RESEARCH exhibition with our participation at the Museum of Applied Arts Vienna.
  • 13. June 2019: Musical performance of Thomas Grill and Angélica Castelló at the Cassette Culture Node.Linz exhibition.
  • 21.-25. May 2019: Talks, concerts and workshop at the New stage media lab and Herzen University,  St.Petersburg, Russia
  • 16.-17. May 2019: Mini-symposium on Heretical Sound Synthesis, University of the Arts Helsinki, Sibelius Academy, Helsinki, Finland
  • 29. March 2019: Grand opening of the Auditorium of Rotting Sounds, University of Music and Performing Arts, Vienna, Austria.
  • 28./29. March 2019: Workshop with Martin Howse and Till Bovermann at the University of Music and Performing Arts, Vienna, Austria.
  • 22.–23. March 2019: Participation at the 10th SAR International Conference on Artistic Research at ZHdK, Zürich, Switzerland.
  • 13. March 2019: Participation in panel discussion “Ungehörtes – Unerhörtes”, Library of the University of Music and Performing Arts Vienna, Austria.
  • 8. December 2018: Participation in the Event Instruments Make Play at WORM, Rotterdam, NL.
  • 26.–30. November 2018: Participation in the Orpheus Research Summit in Ghent, Belgium.
  • 28./29. November 2018: Talk and artistic intervention at the Forum Media Technology, University of Applied Science in St.Pölten, Austria.
  • 8.+9. November 2018: Workshop “sound-material-time”, Anton Bruckner Private University, Linz, Austria.
  • 31. October 2018: Performance of the electroacoustic composition residuals at re_composed, part of paraflows XIII, festival for digital art and cultures, Vienna, Austria.
  • 8. September 2018: Talk and panel discussion at the symposium “.. under control of Music | Music under control of .. composing (in) digital worlds”, Ars Electronica festival, Anton Bruckner University in Linz, Austria.
  • 1.–28. September 2018: Invisible Worlds Residency …and then we will see if we can be friends at Eden Project, Cornwall, UK.
  • 14. August 2018: Talk at the isaScience conference in Reichenau/Rax, Austria.
  • 8. August 2018: Performance at Silence London, London, UK.
  • 16. May 2018: Talk at the Politics of the Machine conference in Copenhagen, Denmark.
  • 11. May 2018: Kick-off open session at the University of Music and Performing Arts Vienna, Austria.
  • 4. May 2018: Impulse talk at the panel “Artistic research as a bridge between the disciplines”, University of Music and Performing Arts Vienna, Austria.
  • 2. May 2018: Talk and discussion at the Angewandte Innovation Lab, Vienna, Austria.
  • 4. April 2018: Talk at the Artistic Research symposium, University of Music and Performing Arts Vienna, Austria.
  • 27. February 2018: Poster presentation at the science conclave, University of Music and Performing Arts Vienna, Austria.
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