Events – rotting sounds

20. May 2020: Performance evening at the Auditorium of Rotting Sounds: concert lecture by Stefan Fraunberger.
24. April 2020: Performance evening at the Auditorium of Rotting Sounds: duo Jérôme Noetinger / Thomas Grill.
19. March 2020: Lecture by Thomas Grill at SAMA, University of the Arts, Helsinki, Finland.
26. February 2020: Poster presentation at the Klausur der Wissenschaften / MDW.
13. February 2020: Performance at Do Trans-Art, Salzburg, Austria.
17. January 2020: Rotting sounds @ Art’s Birthday, ORF Radiokulturhaus, Vienna, Austria
16. January 2020: Artistic Research Conference “Navigieren im Postdigitalen”. Soundframe @ AIL, Vienna, Austria
12. December 2019: Visit of the German Council of Science and Humanities (Wissenschaftsrat) at the Auditorium of Rotting Sounds.
4.+5. December 2019: Musical Materialities Panel, Masterclass and Performance at the University of Sussex, Brighton, UK.
16.+17. November 2019: Open Studio Days 2019 of the VIENNA ART WEEK. Auditorium open 15-18h.
2. October 2019: Performance evening “Fragments” at the Auditorium of Rotting Sounds
27. September 2019: Presentation at the European Researcher’s Night, University of Applied Arts Vienna.
7. September 2019: Installation “Mutual understanding” at the AI x Music festival, part of the Ars Electronica festival 2019.
27. June 2019: Opening of the UNDERSTANDING – ART & RESEARCH exhibition with our participation at the Museum of Applied Arts Vienna.
13. June 2019: Musical performance of Thomas Grill and Angélica Castelló at the Cassette Culture Node.Linz exhibition.
21.-25. May 2019: Talks, concerts and workshop at the New stage media lab and Herzen University, St.Petersburg, Russia
16.-17. May 2019: Mini-symposium on Heretical Sound Synthesis, University of the Arts Helsinki, Sibelius Academy, Helsinki, Finland
29. March 2019: Grand opening of the Auditorium of Rotting Sounds, University of Music and Performing Arts, Vienna, Austria.
28./29. March 2019: Workshop with Martin Howse and Till Bovermann at the University of Music and Performing Arts, Vienna, Austria.
22.–23. March 2019: Participation at the 10th SAR International Conference on Artistic Research at ZHdK, Zürich, Switzerland.
13. March 2019: Participation in panel discussion “Ungehörtes – Unerhörtes”, Library of the University of Music and Performing Arts Vienna, Austria.
8. December 2018: Participation in the Event Instruments Make Play at WORM, Rotterdam, NL.
26.–30. November 2018: Participation in the Orpheus Research Summit in Ghent, Belgium.
28./29. November 2018: Talk and artistic intervention at the Forum Media Technology, University of Applied Science in St.Pölten, Austria.
8.+9. November 2018: Workshop “sound-material-time”, Anton Bruckner Private University, Linz, Austria.
31. October 2018: Performance of the electroacoustic composition residuals at re_composed, part of paraflows XIII, festival for digital art and cultures, Vienna, Austria.
8. September 2018: Talk and panel discussion at the symposium “.. under control of Music | Music under control of .. composing (in) digital worlds”, Ars Electronica festival, Anton Bruckner University in Linz, Austria.
1.–28. September 2018: Invisible Worlds Residency …and then we will see if we can be friends at Eden Project, Cornwall, UK.
14. August 2018: Talk at the isaScience conference in Reichenau/Rax, Austria.
8. August 2018: Performance at Silence London, London, UK.
16. May 2018: Talk at the Politics of the Machine conference in Copenhagen, Denmark.
11. May 2018: Kick-off open session at the University of Music and Performing Arts Vienna, Austria.
4. May 2018: Impulse talk at the panel “Artistic research as a bridge between the disciplines”, University of Music and Performing Arts Vienna, Austria.
2. May 2018: Talk and discussion at the Angewandte Innovation Lab, Vienna, Austria.
4. April 2018: Talk at the Artistic Research symposium, University of Music and Performing Arts Vienna, Austria.
27. February 2018: Poster presentation at the science conclave, University of Music and Performing Arts Vienna, Austria.

rotting sounds

Embracing the temporal deterioration of digital audio