At the annual conference of the austrian restorers association the rotting sounds were represented by Almut Schilling, discussing the <patina> as fundamental part of all preservation processes and opens valuable points of views to think about digital aesthetics of temporal deterioration.
Some impressions of the “Fragments” performance evening that took place on October 2, 2019 at the Auditorium for Rotting Sounds, featuring Tobias Leibetseder, Angélica Castelló, Elisabeth Flunger and Thomas Grill.
We took part in this year’s European Researchers’ Night, showcasing a broad range of research projects at the University of Applied Arts Vienna.
From our ongoing research, we presented a couple of exemplary positions, such as Tobias Leibetseder’s “Fragments“, Almut Schilling’s and Till Bovermann’s “CD-R(ot)“, a part of Almut’s “The Carrier” installation, Till’s take on “Data Forensics”, as well as Thomas Grill’s “Mutual understanding” and “Reference Tone“.
We had a great outside location in the Garden of the Sommerrefektorium, even if the weather was partly rainy. The installation could withstand the humid weather.
The “rotting sounds” researchers Thomas Grill, Till Bovermann and Almut Schilling were invited to conduct a masterclass at the Institute of Music, Theater and Choreography of the Russian State Pedagogical University A.I. Herzen, above all with the students of Andrey Bundin.
After an introductory presentation on the concepts of the research projects, we worked with/on “digital artefacts” that each of the participants brought to the workshop. The focus was on the notion of the “digital trinity”, we have established, consisting of storage material, information content, and interpretation.
I represented RottingSounds at the festival/fair “instruments make play” that took place at WORM in Rotterdam, NL last weekend. I was welcomed with my “Buffer manipulation” setup in a very relaxed and informal atmosphere, in which many curious visitors stopped by to ask questions.
Almut and Till spent some time last week to research on our project topic and eventually prepare and give a presentation at All About Audio at the FH St. Pölten. It was an intense time, yielding in very interesting and fruitful discussions and results.
We came up with (at least) two important elements for our research:
Guests of the conference were quite interested in our approach and asked valuable questions leading into fruitful discussions.
You can find our presentation slides here.
Along with classical music performances, contemporary circus, ballet and a lecture on the influence of silence on contemporary music, I performed an improvisation piece based on computational deconstruction of silences and their counterparts that I observed around Hoxton Arches.
It was divided into a 30min sound walk and a subsequent livecoding performance based on field recordings I took the day before inHoxton/Shoreditch.
More info at the Artifacter page of TAI-Studio.org.
Yesterday I had the chance to present the upcoming Rotting Sounds project at the science conclave, an internal steering meeting of the University of Music and Performing Arts Vienna. I had some interesting discussions and got really nice feedback. Very much looking forward to the project start in May.