Report

Buffer Manipulations at Instruments Make Play

I represented RottingSounds at the festival/fair “instruments make play” that took place at WORM in Rotterdam, NL last weekend. I was welcomed with my “Buffer manipulation” setup in a very relaxed and informal atmosphere, in which many curious visitors stopped by to ask questions.

Table of curiosities at All About Audio 2018

Almut and Till spent some time last week to research on our project topic and eventually prepare and give a presentation at All About Audio at the FH St. Pölten. It was an intense time, yielding in very interesting and fruitful discussions and results.

We came up with (at least) two important elements for our research:

  1. the auralist — A fictional character that represents an aural culture (in the digital age) in which sound is considered the preferred medium, implying temporality (and hence decay) to be embraced. This was a rather good addition, we plan to further flesh it out and maybe turn the auralist into a true opponent that not only questions our visual/clean cultural approaches, but also our (project’s) research practice.
  2. the use of a large paper on the table — It served as note-taking and sketching medium as well as an archival container. We used the same paper for the four days and it helped us a lot to follow along all the different (but equally interesting) threads of our discussions. Many of our sketches you can find in the presentation pdf are photos from the paper.

Guests of the conference were quite interested in our approach and asked valuable questions leading into fruitful discussions.

You can find our presentation slides here.

Performance at Silence London 2018

On Wednesday, 8.8.2018, I had the pleasure to perform at Silence London, a satellite event of the Silence Festival held annually in Kaukonen, Finland.

Along with classical music performances, contemporary circus, ballet and a lecture on the influence of silence on contemporary music, I performed an improvisation piece based on computational deconstruction of silences and their counterparts that I observed around Hoxton Arches.

It was divided into a 30min sound walk and a subsequent livecoding performance based on field recordings I took the day before inHoxton/Shoreditch.

More info at the Artifacter page of TAI-Studio.org.

Rotting sounds poster presentation at the MDW science conclave, February 27

Yesterday I had the chance to present the upcoming Rotting Sounds project at the science conclave, an internal steering meeting of the University of Music and Performing Arts Vienna. I had some interesting discussions and got really nice feedback. Very much looking forward to the project start in May.