We are happy to announce that our paper “Embracing the temporal deterioration of digital audio – A manifesto” has been accepted for publication in the upcoming proceedings of the Politics of the Machines conference on the British Computer Society’s eWic platform.
This paper presents the fundaments and challenges of the Rotting sounds project and expresses the most important theses in the form of a manifesto.
Most of today’s media output, be it audio or video, is produced and stored in the digital domain. Although digital data are adorned by the myth of lossless transmission and migration, everyday experience does prove the existence of degradation and, ultimately, data loss in various forms. This pertains to the physical nature of storage media and playback devices as well as to media formats and software in the context of their technological infrastructure.
We have recently launched the project of artistic research ‘Rotting sounds – Embracing the temporal deterioration of digital audio’, funded by the Austrian Science Fund (FWF). Since degradation cannot be avoided by principle, we therein propose alternative perspectives on the nature and the implications of deterioration in theory and artistic practice, specifically for the domain of digital audio.
This manifesto shall represent an introduction to our endeavour, as much as it shall form a guideline for us carrying out the research.
Together with Katharina Hauke, Till will be on a journey to Invisible Worlds at Eden Project in Cornwall, UK. The residency resides under the theme … and then we see if we will be friends and is meant to be an invitation to all curious organisms and life-forms in and around the Eden Project to create sounds and improvised experimental music together (with us).
Small networked music making systems will be set up within the various sites of the Eden Project that feature differing degrees of self-sufficiency and interaction possibilities for both visitors and inhabitants.
We plan to adapt and extend our semi-autonomous platform fielding to both sense and provoke actions of the various actors, inviting them to explore emergent collaborative phenomena. Of course, the (obvious) connection to rotting sounds will be investigated within the residency and related material be collected over at friendly.organisms.de.
Hope to see you there in September!
Under the title “Letting loose, embracing the loss”, I will talk about implications of audio deterioration at the Ars Electronica symposium “… under control of music, music under control of …; composing (in) digital worlds”, part of the Sonic Saturday at Anton-Bruckner Private University, Linz.
Most of today’s media output, also music, is produced and stored in the digital domain. Although digital data are adorned by the myth of lossless transmission and migration, everyday experience does prove the existence of degradation and, ultimately, data loss in various forms. This pertains to the physical nature of storage media and playback devices as well as to media formats and software in the context of their technological infrastructure.
Usually, this loss of control over the musical material is counteracted in the personal or societal domain using various kinds of archival strategies.
In the running project of artistic research “rotting sounds”, however, we rely on the hypothesis that by gaining pertinent knowledge and developing adequate means to work with digital degradation in a constructive fashion, its inevitability can be turned from being a source of irritation into a potential for aesthetic choice.
September 8, 2018, 4pm-7pm
Anton Bruckner Private University
Hagenstraße 57, 4040 Linz, Austria
Along with classical music performances, contemporary circus, ballet and a lecture on the influence of silence on contemporary music, I performed an improvisation piece based on computational deconstruction of silences and their counterparts that I observed around Hoxton Arches.
It was divided into a 30min sound walk and a subsequent livecoding performance based on field recordings I took the day before inHoxton/Shoreditch.
More info at the Artifacter page of TAI-Studio.org.
I will present some observations and implications on our topic of the degradation of digital audio. Consequentially, i will try to formulate a number of bold claims summing up to the form of a manifesto.
Politics of the Machine conference
Aalborg University Copenhagen
A. C. Meyers Vænge 15, 2450 Copenhagen, Denmark
May 16 2018, “sonic machines” session at 3:45pm
An interview by Johannes Lau with Thomas Grill on the rotting sounds project has been featured in an article of the Austrian daily newspaper Der Standard.
In Europa hat das Phänomen des Verfalls im Gegensatz zu anderen Kulturen einen grundsätzlich negativen Beigeschmack, sodass wir ständig versuchen, Dinge am Leben zu erhalten. Wir können schwer akzeptieren, dass Dinge verschwinden, obwohl wir eigentlich mit diesem ganz natürlichen Phänomen umgehen können sollten.
Today, we have received the keys to the old abandoned anatomy auditorium located on the campus of the University of Music and Performing Arts Vienna (MDW). This is the last unrenovated part of the whole campus and it will function as a lab and exhibition space for experiments over the course of the whole project. Many thanks to the rector of the MDW for her friendly consent.
Today, May 1st aka “International Workers’ Day” is a national public holiday in Austria. Hence, i have launched the project with my family by hiking down the Kahlenberg and flying kites on the Danube Island.
From May 11 thru 13, the project members will gather for a formal kick-off meeting in order to flesh out the goals and strategies for the months to come.
One important part of this meeting will be a public discourse session. There will be a number of short presentations where team members explain their respective personal perspectives on the project, and, more prominently, an open discussion, where we invite the interested audience to contribute their ideas and wishes for the project to our kick-off event.
The open discourse will be guided by performer Charlotta Ruth. The event will be held in English.
Friday, May 11 2018, 15-18h
spiel|mach|t|raum, room S0225
University of Music and Performing Arts Vienna (MDW)
Anton-von-Webern-Platz 1, 1030 Vienna, Austria
Right after the official start with May 1, Thomas Grill and Almut Schilling will present concepts and strategies of the rotting sounds project as part of the Applied Practice lecture series, both from their respective angles of sound art and digital preservation.
Following will be an open discussion session led by media expert Michael Iber where the audience is cordially invited to share their thoughts on the topic with us. The talk will be in held in German language.
May 2 2018, 17h
Angewandte Innovation Laboratory (AIL)
Franz-Josefs-Kai 3, 1010 Vienna, Austria