Posts Tagged: masterclass
Materialities symposium, Sussex University, Brighton, December 4+5
Thomas Grill and Till Bovermann will represent activities of the Rotting Sounds project within a fast-paced symposium on the subject of materialities in music making.
Duo Performance @ the Rosehill Arts: December 4, 9pm
Thomas Grill – Musical material
Probing of fragments of deceased instruments by use of digital sound. Sounding the materials, shapes, resonances – tracing remnants of a musical life.
Till Bovermann – Buffer manipulations
Probing and fragmentation of deceased digital sound. Sounding the materials, shapes, resonances – tracing remnants of a brief ephemerality.
Masterclass and Round table/panel discussion: December 5, 10-13h
Notions of materiality and influence on practice
Topics relating to notions of materiality and influence on practice are discussed by a panel of academics/composers and performers. This promises to be a lively debate relating to media archeology, liveness and audience perspective.
Participants include Evelyn Ficarra, Tom Richards, Till Bovermann, Thomas Grill and others.
Rotting sounds masterclass at Herzen University, St.Petersburg, May 23
The “rotting sounds” researchers Thomas Grill, Till Bovermann and Almut Schilling were invited to conduct a masterclass at the Institute of Music, Theater and Choreography of the Russian State Pedagogical University A.I. Herzen, above all with the students of Andrey Bundin.
After an introductory presentation on the concepts of the research projects, we worked with/on “digital artefacts” that each of the participants brought to the workshop. The focus was on the notion of the “digital trinity”, we have established, consisting of storage material, information content, and interpretation.
