This is the final chapter of Rotting Sounds, subject to inevitable erosion. Its paper is an amalgam of research data and material residuals.

Our book Fragments of Rotting Sounds appears in paper at Mark Pezinger Publishing (edition of 20) and also as a digital version (infinite edition) anchored at the Research Catalogue.

With texts by Burkhard Stangl, Thomas Grill, Till Bovermann and Almut Schilling.

Book design and production by Astrid Seme. Printing by Simsa.

• 3.-9. July 2022: Adam McCartney’s and Thomas Grill’s joint composition “rill” will be presented as a piece+paper at the ICMC 2022 conference in Limerick, Ireland
• 14. March 2022: Online presentation of the Research catalogue exposition Fragments in time for the VIS #7 issue by Tobias Leibetseder and Thomas Grill.
• 8. March 2022: Short feature of Rotting sounds in the ORF Ö1 Radiokolleg series
• 11. January 2022: Lecture performance by Thomas Grill at Sweet Spot series, University Mozarteum and Paris Lodron University, Salzburg, Austria.
• 12. November 2021: Adam McCartney’s and Thomas Grill’s joint composition “rill”, part of the festival Wien Modern.
• 11. November 2021: Lecture by Almut Schilling at the Research Day 2021 at the Academy of Fine Arts, Vienna.
• 2. November 2021: Online talk by Thomas Grill at KTH Royal Institute of Technology, Stockhelm, Sweden.
• 8. October 2021: Opening of exhibition “oberhalb/unterhalb” at Stadtgalerie Waidhofen, featuring a fragment of fields of haze.
• 23.+24. September 2021: Rotting Sounds symposium at mdw – University of Music and Performing Arts Vienna.
• 1. May 2021: Opening of exhibition “Rieseln” in National Park Gesäuse‘s visitor’s center in Gstatterboden.
• 24. April 2021: Exhibition “Rieseln” at Nationalparkradio, Radio Freequenns, das Freie Radio im Ennstal.
• 9. April 2021: Presentation of Almut Schilling, Thomas Grill, Till Bovermann: Digital Patina at the SAR2021 artistic research conference.
• 21. March 2021: Voicings of an auralist at ORF Ö1 Kunstradio
• 16. March 2021: Book presentation Knowing in Performing with book chapter Voicings of an auralist
• 18. February 2021: Opening of “Mutual Understanding” at ESC Medienkunstlabor Graz, Austria.
• 17. January 2021: Thomas Grill featuring the installation mutual understanding at Art’s Birthday at Radio Helsinki.
• 1.-2. December 2020: International Faust Conference 2020 with Till Bovermann and Dario Sanfilippo at the Maison des Sciences de l’Homme Paris Nord.
• 26. October 2020: Performance of Low Frequency Orchestra (including Thomas Grill), Jerôme Noetinger and Wolfgang Mitterer @ Reaktor, Wien
• 9. October 2020: Panel discussion with Thomas Grill @ musikprotokoll, Graz.
• 8. October 2020: Performance “noise shaping” by Thomas Grill @ musikprotokoll, Graz.
• 11. September 2020: Performance “merge and dissolve” by Thomas Grill, Till Bovermann and Kathrin Hunze @ SOUND CAMPUS, ars electronica festival, Linz
• 21.-28. August 2020: Residency of Thomas Grill in National Park Gesäuse preparing next year’s exhibition at the visitor’s center in Gstatterboden.
• 20. May 2020: Performance evening at the Auditorium of Rotting Sounds: concert lecture by Stefan Fraunberger – postponed due to the COVID-19 crisis.
• 24. April 2020: Performance evening at the Auditorium of Rotting Sounds: duo Jérôme Noetinger / Thomas Grill – cancelled due to the COVID-19 crisis.
• 19. March 2020: Lecture by Thomas Grill at SAMA, University of the Arts, Helsinki, Finland. – cancelled due to the Corona virus outbreak.
• 17.-20. March 2020: Workshop by Thomas Grill at Aalto University, Department of Media, Helsinki, Finland. – cancelled due to the Corona virus outbreak.
• 6.-7. March 2020: Talk by Almut Schilling at the conference of the Austrian Restoration Association, Salzburg, Austria
• 26. February 2020: Poster presentation at the Klausur der Wissenschaften / MDW.
• 13. February 2020: Performance at Do Trans-Art, Salzburg, Austria.
• 17. January 2020: Rotting sounds @ Art’s Birthday, ORF Radiokulturhaus, Vienna, Austria
• 16. January 2020: Artistic Research Conference “Navigieren im Postdigitalen”. Soundframe @ AIL, Vienna, Austria
• 12. December 2019: Visit of the German Council of Science and Humanities (Wissenschaftsrat) at the Auditorium of Rotting Sounds.
• 4.+5. December 2019: Musical Materialities Panel, Masterclass and Performance at the University of Sussex, Brighton, UK.
• 16.+17. November 2019: Open Studio Days 2019 of the VIENNA ART WEEK. Auditorium open 15-18h.
• 2. October 2019: Performance evening “Fragments” at the Auditorium of Rotting Sounds
• 27. September 2019: Presentation at the European Researcher’s Night, University of Applied Arts Vienna.
• 7. September 2019: Installation “Mutual understanding” at the AI x Music festival, part of the Ars Electronica festival 2019.
• 27. June 2019: Opening of the UNDERSTANDING – ART & RESEARCH exhibition with our participation at the Museum of Applied Arts Vienna.
• 13. June 2019: Musical performance of Thomas Grill and Angélica Castelló at the Cassette Culture Node.Linz exhibition.
• 21.-25. May 2019: Talks, concerts and workshop at the New stage media lab and Herzen University,  St.Petersburg, Russia
• 16.-17. May 2019: Mini-symposium on Heretical Sound Synthesis, University of the Arts Helsinki, Sibelius Academy, Helsinki, Finland
• 29. March 2019: Grand opening of the Auditorium of Rotting Sounds, University of Music and Performing Arts, Vienna, Austria.
• 28./29. March 2019: Workshop with Martin Howse and Till Bovermann at the University of Music and Performing Arts, Vienna, Austria.
• 22.–23. March 2019: Participation at the 10th SAR International Conference on Artistic Research at ZHdK, Zürich, Switzerland.
• 13. March 2019: Participation in panel discussion “Ungehörtes – Unerhörtes”, Library of the University of Music and Performing Arts Vienna, Austria.
• 8. December 2018: Participation in the Event Instruments Make Play at WORM, Rotterdam, NL.
• 26.–30. November 2018: Participation in the Orpheus Research Summit in Ghent, Belgium.
• 28./29. November 2018: Talk and artistic intervention at the Forum Media Technology, University of Applied Science in St.Pölten, Austria.
• 8.+9. November 2018: Workshop “sound-material-time”, Anton Bruckner Private University, Linz, Austria.
• 31. October 2018: Performance of the electroacoustic composition residuals at re_composed, part of paraflows XIII, festival for digital art and cultures, Vienna, Austria.
• 8. September 2018: Talk and panel discussion at the symposium “.. under control of Music | Music under control of .. composing (in) digital worlds”, Ars Electronica festival, Anton Bruckner University in Linz, Austria.
• 1.–28. September 2018: Invisible Worlds Residency …and then we will see if we can be friends at Eden Project, Cornwall, UK.
• 14. August 2018: Talk at the isaScience conference in Reichenau/Rax, Austria.
• 8. August 2018: Performance at Silence London, London, UK.
• 16. May 2018: Talk at the Politics of the Machine conference in Copenhagen, Denmark.
• 11. May 2018: Kick-off open session at the University of Music and Performing Arts Vienna, Austria.
• 4. May 2018: Impulse talk at the panel “Artistic research as a bridge between the disciplines”, University of Music and Performing Arts Vienna, Austria.
• 2. May 2018: Talk and discussion at the Angewandte Innovation Lab, Vienna, Austria.
• 4. April 2018: Talk at the Artistic Research symposium, University of Music and Performing Arts Vienna, Austria.
• 27. February 2018: Poster presentation at the science conclave, University of Music and Performing Arts Vienna, Austria.